Poetry Feature The Hudson Three by Vicki Hudspith ~ . ~ . ~ This River It was only here by this river In the quickness of spring Where trains lug And ice floats sluggish In the warm consensus of afternoon Summer wagged its tongue It was by this river Moving with confidence I was told to rest and not to worry That the pine boughs would reach upward So near yet I never ventured as much as a toe But worried at its haste, unpredictable currents And whether the tides would meet me It was only here That I thought it would be possible Not to be wrong And move with speed beyond winter's stillness Knowing what the river leaves behind So it was here I was strong enough To desire the water wheel, its music The equations Of fountains that keep us young Water yearns toward It was here that I slept And knew I would wake safely In the arms of fortune tellers and palm readers Who would hold me in the panic of afternoon It was here By this river Of melting snow ~ . ~ Picnics Of the Heart Who could say In which moment It was moving Walking on moonlight The pilings of vanished platforms Resigned Hudson River stubble A million or so optimistic immigrants Saw them when they were new Forgotten are the canoes of Indian summer Firefly love This convenient river Most direct and without boulders How we fear its credo of whirlpools Yet boys barely twelve Once jumped in it for free Sweltering Early century afternoons Their glee Could I love you again Under the trample of my heart's conspiracy? The political intrigue of shoes and underwear The micro-organism called hope Swung by the armpits, the category of myth To eat the lead weight of not ever seeing you Again And carry your shadow in my pocket Thinking I would see you But you are gone And it's not going to be you Across the room Or ahead of me on the afternoon sidewalk I could call out The mind is so powerful I could almost bring you back Though considering How crushing it was to know you The worst scoundrel I would like to think I knew the breezes once too Before I was brought into the game Of where to put everything I am reduced to the life of kings Because the moon is the twinkle of the night sky Yet you knew Only small surprises have resonance Like a bouncer in front of a cheap club My secret corners You can have the gossip of lions More invigorating Than the diaries of teenaged girls And posturing boys Who on the very next day are only men Living out the routine of providing Picnics of the heart We cloak ourselves in the feast of our disguises When life is mostly mean And our lives the mythology of gangsters Sluts, businessmen, adoring wives and mothers May we close our eyes and believe The propaganda of the heart and its ravenous need In the hours of our pounding panic attacks In the unknown hours When we don't have a clue I only know your back And the long way around it To where I'll meet you Someday ~ . ~ The Docking Of Afternoon As if to move the stream As if to be the thinning of currents Whirlpools and tides love strife Like the ridges of a cat's tongue Glide smoothly over the pools Of who you loved Fatiguing the wooden piers While geese go into military action Arresting the air with gossip Mimicry and I-told-you-so's Humidity, this impulsive ingredient Steams from day-old gum on the ground Hallucinations of Double Bubble The moorings of memory replay themselves Blowing sweet bubbles To a thousand volunteers waving Desperate to be called upon Linked with the military maneuvers of West Point cadets But the river continues its counterbalance As it did against the French As it did against countless canoes A lack of sun means only that it will make its move undetected Like heart murmurs of those you left To paddle the fishy depths of the Hudson River's main artery Where few would dare without a combustion engine Twirling between tide and current Passing trees in the exhausted hours As if they could call to you from their stubborn positions Or extend one branch to pull you home And so you drift As love will Amazed by how afternoon passes for hours When it is merely a chunk of day That eclipses As you have eclipsed While I wait, a patient annotation, to turn the page From this placid shore Jet skis and pleasure boats go flying by Filled with the ragged exhaustion of weekends Where once I dreamed of being bigger than the tides Hold in my empty hand All the answers Like geese returning single file Defying that v-formation thing As eager to return As I am to absorb the happiness of plankton And the spongy underfoot dreams of snails In the impending arrival of a schooner filled with unknown Visitors to my afternoon room The sun is almost with us Weary both from winter and the chaos of spring Outboard engine fumes lift the breeze While the deck fills with the silent dread of non-swimmers Through the docking of afternoon ~ . ~ . ~ (Vicki Hudspith is the author of White and Nervous (Bench Press Editions, 1982) and Limousine Dreams, published with drawings by the painter James DeWoody (1986). She is President of the Board of Directors of The Poetry Project at St. Mark's Church in New York's East Village. She has directed plays by John Ashbery and James Schuyler with sets by Jane Freilicher and Alex Katz respectively, for Eye and Ear Theater. With Madeleine Keller she co-edited KNOCK-KNOCK A Funny Anthology by Serious Writers featuring work from 100 writers and ten visual artists. Her work has appeared in the Crown Publishers anthology, Out Of This World, edited by Anne Waldman, with foreword by Allen Ginsberg, as well as numerous small press magazines. In 1976-1978 she edited The Poetry Project Newsletter, conducting a nationwide interview series with writers and artists. She has written criticism for Exquisite Corpse, Cover and The Poetry Project Newsletter. She plays the electric bass guitar with other poets and painters in a group called The Culture Vultures. Her latest manuscript is called, Urban Voodoo.) |